![]() The horizontal position in the grid represents the time position which you can set, but the default is one bar (i.e., 4 beats). The vertical position in the grid represents the position on the wave that is being played (you’ll notice in the example above, the highest peak corresponds to right before the second large transient on the vertically orientated sample and also in the representation on the horizontally orientated sample). You can then manipulate the time envelope like this to create a scratch effect: The sample will display horizontally above the keyboard on the left, and vertically on the right-most side of the GUI. Assign the sample by dragging and dropping it onto the GUI. You can assign a sample, time pattern, and volume pattern for each key on the keyboard on the lower left. The Wave Traveller GUI looks like this when you load it. Open Wave Traveller and Choose a Sample to Manipulate This tutorial is going to demonstrate the power of Wave Traveller and then show you how to add some additional time effects with Gross Beat to make some wild glitched scratch sounds. ![]() Then if you really want to go bananas with some time and volume effects drop Gross Beat into the Effects of the Mixer channel Wave Traveller is assigned to. ![]() ![]() The end result is that you can emulate a lot of turntable tricks pretty well with this handy and simple plug-in. Wave Traveller lets you drag in a sample and then apply separate time and volume envelopes similar to Gross Beat, but with the waveform visible so that you really know where to line up the time envelope. Having started out DJing with my 1200s and a ton of old pop, disco and hip hop records that I had collected growing up in the 80s, I always loved the turntable tricks and admired those DJs that weren’t just matching beats, but could really rock the decks with a ton of turntable skills. I have been experimenting with a FL Studio plug-in called Wave Traveller that is pretty cool, but then again I love a well timed scratch in a track or live set. ![]()
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